Quentin Tarantino is becoming the new Alfred Hitchcock. Not in the sense of the man, but the name. If one is unfamiliar with “Rope” or “The Birds,” before sitting down to watch it, you can simply say “it’s a Hitchcock,” and they’ll gather a basic cloud of expectation.
Both directors leave such a vivid fingerprint of themselves on their work, their filmographies gain a reputation, and you can never review their films without speaking heavily of the men themselves.
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